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Singing the French Revolution: Popular Culture and Politics, 1787-99 de Laura Mason

Descripción - Críticas 'The author's research is impressive.... Mason's subject is important, her argument is effectively presented, and the story is interesting.' * Journal of Modern History * Reseña del editor Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance. Biografía del autor Laura Mason is Assistant Professor of History at the University of Georgia.

Detalles del Libro

• Name: Singing the French Revolution: Popular Culture and Politics, 1787-99
  
• Autor: Laura Mason
  
• Categoria: Libros,Arte, cine y fotografía,Música
  
• Tamaño del archivo: 7 MB
  
• Tipos de archivo: PDF Document
  
• Descargada: 412 times
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

Descarga Singing the French Revolution: Popular Culture and Politics, 1787-99 de Laura Mason Libro PDF

Singing the French Revolution: Popular Culture and ~ Singing the French Revolution: Popular Culture and Politics, 1787–1799 . French men and women noisily debated the political meaning of singing . The changing definitions of singing as a form of popular culture point to the many social tensions at work within the revolutionary process and the ways in which .

Singing the French Revolution : popular culture and ~ Singing the French Revolution : popular culture and politics, 1787-1799. Responsibility Laura Mason. . Popular culture > France > History > 18th century. France > History > Revolution, 1789-1799. Bibliographic information. Publication date 1996 ISBN

Singing the French Revolution: Popular Culture and ~ Singing the French Revolution: Popular Culture and Politics, 1787–1799 [Mason, Laura] on . *FREE* shipping on qualifying offers. Singing the French Revolution: Popular Culture and Politics, 1787–1799

Singing the French Revolution : popular culture and ~ Singing the French Revolution : popular culture and politics, 1787-1799 / Laura Mason. Author/Creator: Mason, Laura. Publication: Ithaca : Cornell University Press, 1996. Series: ACLS Fellows' publications. ACLS Humanities E-Book. Format/Description: Book 1 online resource (xi, 268 pages) Subjects:

Laura Mason, Singing the French Revolution. Popular ~ OAI identifier: oai:persee:article/rhmc_0048-8003_2000_num_47_4_2051_t1_0847_0000_2

Singing the French Revolution: Popular Culture and ~ After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century.

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